Two reviews in one day after this COVID-19 pandemic? Fuck yeah son! I thought I’d maybe review something that you can watch in the safety of your own home this time! On my non paranoid lunch (that consisted of me eating alone in my cubicle), I checked out BIG TIME ADOLESCENCE on Hulu starring Pete Davidson (the stoner youngling on SNL) because they dropped it a week early to maybe boost people’s moods up, because it is a comedy. And it isn’t. Pete Davidson reminds a lot of people of Adam Sandler, but Sandler was definitely less druggy, depressed, and tattooed. However, when audiences didn’t start taking Adam Sandler seriously until maybe Punch Drunk Love, utilizing Sandler’s comedic talents in the best way possible, mixing it with some drama, Big Time Adolescence is Pete Davidson’s first leading feature film (he had a very bit part in a Netflix film a year or so ago), and to me, this is his Punch Drunk Love. Pete Davidson is basically his comedic yet depressing self in this, but he uses the script and material to his advantage to give those watching something more. What I’m trying to say is, don’t be surprised if he’s in something like Uncut Gems in much less time than it took Sandler to get to that level. Even though in the end, the movie is basic coming of age tale plot wise very predictable, the humor, the acting, and those few dramatic moments make it get a big recommendation from me. Come on, check it out, escape from the bullshit of today!
I can describe the plot this easily: imagine if they remade Big Daddy, mix in a little Superbad and Knocked Up, but that old Adam Sandler movie was more serious and less over the top, and it was a dude in his mid 20s hanging out and befriending a 16 year old kid instead of a (which the father type mentor with a much older best friend). And it involved selling drugs. That’s this movie. It’s safe to say that the clinch pin in making this all believable is the set up to how Davidson’s character hangs out with this 16 year old, played very convincingly by Griffin Gluck, who you may know from Netflix’s American Vandal or Locke & Key. Well it is. Gluck’s character thinks his sister’s boyfriend, Davidson, is cool, hangs out a lot with him and his sister, and Davidson just treats him like a normal human being, doesn’t talk down to him. Gluck’s sister eventually dumps Davidson, but Gluck doesn’t want to lose basically the only friendship that he has, and asks if he can still hang out with Davidson even though he’s not dating his sister anymore, and Davidson says sure. And everything is good until one of Gluck’s classmates asks if he can get alcohol for a party that he is having and Davidson gets not only that, but some “choice” weed to sell to the minors. Of course, Gluck doing that is a huge hit, and he is suddenly in wide demand, his eye on a girl classmate that is just as shy as he is, and him and Davidson hanging and bonding more than ever. It’s when harder drugs come into play where things start to go very wrong.
I found the movie to be a very enjoyable. nice and tight hour and 30 minutes, no filler. I laughed my ass off at parts and admired the acting, especially from Davidson, quite a bit. And while the story could’ve used a couple of more wrenches thrown into it, it is unique enough in its own way to make all the predictable plot points forgivable. This movie is pure escapism from the crap we are dealing with right now. Jon Cryer has a bit part playing Gluck’s father, and he does so well, it’ll make you put his endless role in Two and A Half men in the rear view mirror. Newtime writer/director Jason Orley does a pretty good job for a first time filmmaker, everything isn’t so nice and bright picture wise as it would be in a normal comedy like this, and instead add some grit that complements the rest of the glitz and glam well. It feels like this could’ve really happened, and I would love to do some research to see if he just wrote this based off personally experience, because I have a feeling, when you look up his picture on IMDB, that he might’ve been Gluck’s character when he was a kid. So to keep these surprise streaming reviews short, I’m going to end it here so you can check it out if interested and get out of these COVIDerwhatever blues and have a good laugh and a good time. We need it right now. I might’ve not like Pete Davidson’s recent Netflix stand up special much, but this certainly more than made up for it, and showing that, in the future, if he does more adult projects, just like a real adult, we’ll start to take him more seriously.