RUN is yet another film that was supposed to debut in theaters earlier this year but got postponed because of you know what, Hulu ended up buying the rights back in August, and now here we are. It was originally supposed to come out Mother’s Day weekend in May, which if it would have made that release date, without revealing anything it would’ve been quite fitting and ironic. Let me start off by saying that Run is a good movie. It is tension filled with some incredible white knuckle suspense sequences and masterful acting from both veteran Sarah Paulson and newcomer Kiera Allen. What prevents it from becoming a great film is the fact that the twists and reveals were way too predictable. I know that I’m a good guesser, but if my wife comes into the living room near the beginning of a movie, watches only two minutes, and ends up going, “well this is obviously that and also that is obviously this,” then YOUR MOVIE IS WAY TOO PREDICTABLE. My wife doesn’t really like horror films or thrillers of this nature and if she can come in and guess the reveals to something she can’t stand and doesn’t have a whole lot of knowledge of (even putting into consideration she has learned from the best for 11 years now), that doesn’t bode too well. And she wasn’t even present when the movie got to the reveals an hour later to get the credit she so well deserved (this review is about to be published sweetie, to give you credit where it is due). But, the movie is still too good with every other aspect in its film making to not give it a recommendation. This is one of Hulu’s better originals to be sure.
IMDB describes Run with the following: “A homeschooled teenager begins to suspect her mother is keeping a dark secret from her.” To give you a bit more background on the movie, without you having to watch a trailer (trust me, don’t watch the trailer), the teenager can’t walk or run, she’s in a wheelchair, and has a bunch of other medical problems, basically preventing her from being on her own outside the house, if at all. Surely you are putting two and two together? If not, watch the very first scene in the movie, which is about 2 to 3 minutes long (the movie is a tight and short hour and 30), and the full puzzle should be glued and/or cemented together for you. It isn’t hard. I was hoping that I was wrong and that the movie was trying to successfully pull a double red herring on me, alas, it wasn’t. What you end up thinking is going on, you’re probably right. Let’s not go too deep into this criticism of predictability anymore, let’s talk about the good stuff. Sarah Paulson and Kiera Allen could teach a master class of acting with this one movie alone. Both are incredible, Paulson proving that she deserves to be put on that pedestal so many of her fans put her on, and Kiera Allen proving that she deserves to be put in more projects. This is set in stone especially after the reveals if you weren’t already convinced. Other than their acting, the real reason to watch this movie is some of the incredible, white-knuckle, emotional, tension-filled “action” scenes. To not spoil anything, I won’t give you much context, let’s just say there is a scene where a character scales a roof that is perfect in its execution, and the climax in general was also perfect in its execution along with the character arc conclusion. That’s all I’ll say. The co-writer/director Aneesh Chaganty, who directed the laptop thriller Searching, proves with Run that he has the skills to direct more Hitchcockian thriller things like this and someday even become a household name. While Run on the whole isn’t a blast off, story wise, start in a race against other thrillers with less predictability, it’s a huge head start in terms of effectively executing tension and thrills.