Zach’s Zany Movie Reviews: PALM SPRINGS (Hulu)

Groundhog Day is the blueprint that all other “same day/time loop” films jump off of, correct? Asking for a friend. But being truthful, it really is. I can’t think of another time loop project that came out before Groundhog Day (upon doing some research, I found one short film and one television film that explored this concept briefly, but Groundhog Day was really the first theatrical endeavor). And all the other ones that came after, whether it be Before I Fall, Source Code, Happy Death Day among many others, only maybe Source Code has come even close to at least matching the masterful 1993 Bill Murray/Harold Ramis comedy. PALM SPRINGS just beat Source Code for me and is only a hair below Groundhog Day now. It is also now the best film of 2020 for me as well, as I don’t think I’ve enjoyed a straight to streaming title this much…since…well…EVER. It is a near perfect movie, with great set ups that provide great pay offs, huge laughs, incredible performances, and one hell of a tight 90 minute structure that I could’ve watched about an hour more of. I completely fell for this world and everything in it and know that in the future I will be watching Palm Springs over, and over, and over, and over again. I think repeat viewings will solidify how perfectly constructed this film is from start to finish. And it is likely to put a giant grin on your face, which is especially nice considering 2020 has been a total asshole to the entire world.

Per IMDB, it describes Palm Springs as: “When carefree Nyles and reluctant maid of honor Sarah have a chance encounter at a Palm Springs wedding, things get complicated as they are unable to escape the venue, themselves, or each other.” If you’ve seen any marketing for this movie, you’ll know that the “unable to escape” part is the time loop twist the story has where several individuals are reliving the same day over and over again. It’s not really even a spoiler at this point anymore because this film has been talked about so much (but the ending has not been so SHHHHH, please don’t ruin it for anyone else!). Before you start to write this off as just another “time loop” movie that has been done to death, this one is unique in that it has more than one person stuck in this time loop. So the movie explores much more territory than Groundhogs Day did and digs deeper into the relationship between two (maybe even three) people. Yes, it did explore Bill Murray’s relationship with Andie McDowell in Groundhog Day, but it was more one sided, as she had no clue that a time loop was even occurring. Andy Samberg isn’t just Andy Samberg in this movie, he actually plays much more than just another Jake Peralta/Brooklyn Nine-Nine type (although that role on television will never get old for me). This is easily a career best performance from him, as it is also for Cristin Milioti, who has come such a long way from being what would end up being the **spoiler alert for something different** disposable mother character on the sitcome How I Met Your Mother.

J.K. Simmons is also in this film, but the less that is said about his character, the better. Experience that boat load of fun on your own. But like I said, the movie is near perfect if not perfect. Right at the end, when it was about to have a huge plot thread roll loose in a depressing fashion, it doesn’t, it remembers what it needed to explain a quick bit without spoon feeding it to the audience. I literally almost screamed “oh yeah” right as the scene happened. The movie has some great twists and turns that I dare not reveal here, just to say that I didn’t see some of them coming at all. There are great set ups, pay offs, smart crude and sex humor that I haven’t seen in awhile, the works. It has a definitive set of universe rules and doesn’t break or even bend them in the slightest. I love when filmmakers stick to that shit. It has fantastic replay value, as a feel good romantic sort of sci-fi comedy that should help you get out of any funk that you are in currently. Although the great and talented Lonely Island boys (Samberg, Akiva Shaffer, Jorma Taccone) produced this film, so you could possibly call it a “Lonely Island movie”, they did not write or direct this. That would go to screenwriter Andy Siara and director Max Barbakow, neither of which I’m familiar with. Maybe one day, as I hope they can make movies as great as this one. So if you have Hulu, watch this immediately, and if you don’t have it, fucking find a friend that does or do a free trial and just watch this movie if you have to. It is a masterful and hilarious 90 minutes to distract you from the days of COVID-19, which seems to be going on forever at this point. I know I’ve said it but, again, best film of 2020 for me so far.

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Zach’s Zany TV Binge Watchin’ Reviews: DAVE SEASON 1 (FX/HULU)

Just so you know this going into my review, I had no fucking clue who Lil’ Dickey or Dave Burd was until my brother recommended watching DAVE SEASON 1 during quarantine. But I do know who co-creator/writer Jeff Schaffer is, who has done numerous fantastic projects such as: Seinfeld, Curb Your Enthusiasm, Bruno, Eurotrip….yet unfortunately provided the screenplay to Mike Myers’ The Cat In The Hat…oops. But anyway, setting that one misstep aside, I ultimately decided to dig in because of his involvement, and I’m glad I did, this show is excellent. Watched all 10 episodes in a little over 24 hrs (this series wasn’t released all at once, it started in March and just ended a couple of weeks ago), and am happy it was announced that a Season 2 was coming eventually, even though Season 1 feels pretty self contained and could’ve ended there. Going back and doing some research on Lil’ Dickey, can’t say I’m a huge fan of his work outside of this show, but I do understand the appeal, but to be fair I’ve only seen two of his videos so far, maybe I need to do some more back cataloging to get fully on board. But I am fully on board the show, as Dave Burd’s writing on this series far surpasses what I’ve seen of his older stuff on You Tube. What confuses me a little bit is when I recently posted on social media that I was digging the show, some of the comments listed several of the episodes being, and I directly quote, “Weak AF”. Especially some messaged me a specific episode to explain where they were coming from…and I have to disagree on their analysis completely. But that is what this review is for. Sorry, I know if it would’ve been humorous and ironic if I had done another rhyme poem on this, especially for those fans reading this that are also huge fans of Lil’ Dickey, but I save those for movies/television shows that truly suck ass, and this is the exact opposite of sucks ass.

Dave is on FX/Hulu and IMDB.com describes it as, “The series stars a fictionalized version of Lil’ Dickey, a neurotic mid 20’s suburbanite who is convinced he’s destined to be one of the greatest rappers of all time. Now he’s got to prove it to everyone else.” It fails to mention that he is White & Jewish, which is a big factor in how he is treated in his career by others. Also, some (if not most) of his content might be very weird and pretty offensive to some. Again, while I might not be the biggest fan of his previous work (I don’t hate it, it’s just not my cup of tea, kind of like content that tries to sing regular dialogue and count that as music, aka Les Miserables), the show worked for me 100%. It’s freaking hilarious, the pilot titled “The Gander’, the 3rd episode titled ‘Hypospadias’ and the season finale titled ‘Jail’ probably getting the biggest laughs out of me all of 2020 so far, and when it isn’t funny, it’s heartfelt, focusing intently on character depth and development. Speaking of depth and development, when looking up or hearing about what people think of the show, many do up liking it overall, but have cited some of the episodes being, “weak as fuck,” specifically referencing Episode 5 entitled, ‘Hype Man.’ Ummmm…I don’t know what you were talking about, but that was one of the strongest (if not THE strongest) episodes of this series so far and maybe one of the strongest half hour television comedy episodes I’ve seen so far this year. Sure, it didn’t have that many laughs, and Lil’ Dickey himself was barely featured in it, and instead it focused on his real life hype man named Gata, but man, was that a fantastically written half hour. I don’t really want to give much away, but the episode concludes with one of the most tear inducing confessions I have ever witnessed on television. It felt honest and realistic. That episode moved me, and I can’t say even half as much about other episodes of television these days.

See, the problem sometimes is that when you tell someone that a half hour program is a comedy, and they go into it thinking it is a straight one, and they don’t end up getting minute by minute laughs, sometimes they will end up being really disappointed. Maybe it was the marketing of the show, or the marketing of Lil’ Dickey outside of the show, I don’t know, I didn’t see much marketing (if any) for Dave because I don’t have cable with commercials anymore. It’s streaming services without them or bust for me. At any rate, marketing or not, with any show, comedy, drama, etc., you need to have an open mind. Sometimes a comedy can be more than just a crude humor laugh a minute fest and sometimes a drama can be more than depressing moments of people screaming at each other with a pinch of violence every now and then. Sometimes what you think will be a cheesy romantic chick flick turns out to even outsmart your expectations with some side steps that subvert your expectations. Sometimes, and most of those sometimes are in the best ways possible, they can transcend. Dave might not be the laugh a minute comedy you hope for, but it is the dramedy filled character depth and developmental story that you need right now. When all ten episodes were said and done, I felt like I knew these characters, knew they’re layers, and knew that none of them were one dimensional. Needless to say I can’t wait for Season 2.

And even though it sounds like he’s about to lisp every other word, Lil’ Dickey can act and he has this sense of presence about him. If I were to compare this show to something else, I would say that this show feel a bit like Curb Your Enthusiasm, if Larry David were a much younger Jewish rapper. Larry David isn’t much of an actor in the beginning seasons, but some on years later, Larry David is a warm felt presence on that show. Here, by the end of episode ten, Lil’ Dickey already has a warm presence with me, and it’s just the first season. Everyone around him, even including his real hype man, Gata, do fantastic jobs with their acting chops. They surround themselves with some veterans like Christine Ko, Taylor Misiak, and Andrew Santino, and it seems like they have been acting for years, even though its their freshman run. In the end, if you are reading this, and are thinking about giving this show a chance, please give it to the end of episode three. That’s all I ask, then, if that hilarious episode along intrigues you, but you hope to find more out of the comedy than just really funny and smartly written sex jokes and situation, continue till episode 5. If episode 5 doesn’t win you over, than there is nothing more the show could off you and you should just quit. And it’s okay, everyone has different tastes, but don’t not like the show, or think it is “weak AF” just because you go into it with the wrong expectations. If you’ve read my review, and are going to check it out, I hope I’ve given you the correct ones. If you end up enjoying it as much as I did, then mission accomplished.