Zach’s Zany TV Binge Watchin’ Reviews: STRANGER THINGS SEASON 3 (major spoilers)

It’s my birthday, and lately I’ve been getting a lot of notifications on messenger asking me about my in depth thoughts for STRANGER THINGS SEASON 3 (other than my short little tiny paragraph of my summation earlier this week), so here is an in depth review! A present from me to you…on my own fuckin’ birthday. Jk, jk, I love writing these things. But be warned, I’m just going to start running my mouth, and since a lot of people have finished the entire short 8 episode season by now, there’s no telling what I’ll start spouting out, so major spoiler warning from here on out. The third season of Stranger Things is a vast, vast, vast improvement on the very kind of….I don’t know….just there second season which felt like just a retread of Season 1 (even though I still liked it). It doesn’t however beat the glorious first season, and there are reasons for that, which I’ll get to in a bit. But needless to say, I really really really enjoyed Season 3, I just wished that it didn’t have any minor problems where it could’ve completely blown the first season out of the water.

I loved the whole Starcourt Mall, The Meat Monster, Scoops Ahoy, the Russian Commie Thread, Alexei, Billy being possessed, all the new elements that were brought to the table. When Will started getting goosebumps at the back of his neck again when they snuck into see Day of the Dead I was rolling my eyes, hoping that they weren’t going to do him possessed thing all over again a la season 2. Thankfully he just has a ‘sense’ now since he was in the Upside Down for so long and is not the actual entity. Making Billy that entity (who was already established as an asshole last season) and then having a minor little arc of redemption felt a little refreshing. The whole thing is like a giant 8 hour summer, retro horror/thriller, fun for the whole family movie where the first 2 episodes are all set up and the last 6 are fast paced pay offs. The only problem with this is that the whole thing feels a little rushed (although I’d rather it be rushed than strung out into 13 episodes with a bunch of needless filler) and that character development is sacrificed for plot the majority of the time. Let me explain.

Remember the scene in the last episode where Dustin is trying to get that number from his girlfriend Suzie (the joke is that she might not be real), this mathmatical number that will unlock the place where Hopper and Joyce need to get into to turn those keys and close the gate the Russians kept trying to keep open, probably hoping to weaponize the creatures and attack America? Where Dustin had to prove his loyalty to Suzie before she would give him this number by singing with her the theme song to The NeverEnding Story? Made you get all goosebumpy and all memberberry inside right? THAT SCENE IS A GOD DAMN JOKE AND COMPLETELY RIDICULOUS. It was a waste of time for all characters involved and if she would’ve just given him the number and then they could’ve sang it to each other, the gate could’ve been closed much faster, it could’ve served both story and character development at the same time, and Hopper might not have ‘died.’ I’m putting ‘died’ like that because, like everyone with a brain, I don’t think they would kill off one of their best and complicated characters. David Harbour is a master in the role, and like I always say, “no body, not dead.” Unfortunately I’m afraid they are just going to resolve the situation like they did with Eleven in season 1 and 2 where she ‘died’ but really just ended up back in the Upside Down place.

Other character development problems: Max and Lucas, who got together near the end of season 2, have virtually no character development between the two this season, they are together the whole time, barely an argument. She has a small arc with her brother Billy but it is completely rushed and half-assed. Eleven and Mike break up for the stupidest reasons other than to get some funny scenes between her and Max. All he had to say was, “Hopper told me to spend less time with you,” and everything would’ve been solved. The relationship between Eleven and Hopper, the father/daughter angle, is good in the first two episodes, and then they are separated the rest of the time, everything meaning to tie together in a sappy yet sweet letter at the end. If there was anything that season 2 got completely right, it was the relationship with those two. The Jonathan/Nancy lover thing, that was again, done better in Season Two, is kind of like the Max and Lucas thing here, they have a couple of arguments, but ultimately love each other and everything is okay. Thank goodness the acting all around, especially from Millie Bobby Brown, is top notch, other wise all these problems would’ve bothered me more.

Fortunately, there are some very, very good character moments that about evens everything up developmental wise. Hopper and Joyce’s relationship is the best it has ever been this season and has a pretty solid arc. And remember that last minute Steve and Dustin friendship near the end of season 2? Here, it is full blown brilliant and is even combined with a great arc between Steven and a new character named Robin (played by Maya Hawke, who looks just like her mom, Uma Thurman) that works with him at Scoops Ahoy (I want to work there). Even though they are in the mall (and the secret Russian underground base) basically the entire 8 episodes, every scene with all of them together work perfectly, including when Lucas’ sister joins the fray later in the season. Also that weird conspiracy theorist dude from season 2 that helped Nancy and Jonathan get together gets a cute, little, but strong and effective arc with a Russian turncoat, a scientist nerd by the name of Alexei, who loves Cherry Slurpees and Burger King but is empathetic with the American’s plight. Also, the CGI and special effects this season are amazing. The Meat Monster is the greatest horror to come out of this series, even more enjoyable than the original Demogorgan.

So basically because of some character development problems and that the 8 episodes went by way too fast, it did not beat Season 1 for me, but at times it came incredibly close. Blew Season Two out of the water, but to be fair, I still do like that season, and love this series. With Season 3, The Duffer Brothers have finally found their groove with the series, relying less on just nostalgia references and more on story and group dynamics. And when there are references, it isn’t just to say, “hey look! Remember this!” anymore, but is often introduced to be a foreshadowing plot point or a joke that hits hard and is immersed in the overall story. And it’s just fucking fun as hell. The 8 episodes went by fast because I completely gave myself to that world and everything in it. I would complain about that long wait times between seasons (it was almost two years! Oct 2017 – July 2019) but if that’s how long it takes to tinker it, and give us a great, almost greatest, season like this one, everyone involved can take all the time they need. Now all they need to do is just end it all next season, or at the most, Season 5, so the whole thing doesn’t become stale. *coughlikeHouseOfCardscough*

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Zach’s Zany TV Binge Reviews: THE TWILIGHT ZONE (2019) Part 4 of 5: NOT ALL MEN and POINT OF ORIGIN

**sigh** And the new series started off so well. At the worst I thought I was going to be reviewing one really good/great episode and one really mediocre/terrible one these last two reviews, but alas, I got two not so great ones for you. The only thing that separates them from being worse than the terrible episode The Wunderkind is the acting. Minus Six Degrees of Freedom, these last several episodes fail because of them not just for the eye rolling, hitting the present day social commentary nail on the head, but that it keeps hitting you on the head long after the nail is already in there. I really hope that the show runners know what they are doing and saving their best two for last (although I this point I highly question it). At least Jordan Peele’s intros are still fascinating to watch. I wish he was writing and directing episodes.

NOT ALL MEN

Like I mentioned in the above paragraph, the only thing that separates this one from being worse than The Wunderkind is the acting. Taissa Farmiga, Rhea Seehorn, and Ike Barinholtz bring out incredible performances, but the social commentary in this is so in your face, it makes the twist at the end even dumber, and I’m kind of surprised I haven’t heard anything about men being offended by this episode (Don’t worry, I’m not). The plot is basically after a meteor shower, the men in a town grow absolutely nuts and with psycho and animal like behavior. Taissa Farmiga and her sister Rhea Seehorn, try to navigate the strange and destructive behavior while trying to escape the town.

Clearly an episode inspired by #MeToo, it doesn’t work because it tries to hard to say, “do…do you get it?” Yes we do, after the first 5 minutes we get it, but instead of pushing forward the plot and doing something different, characters just keep explaining the same insane behavior just with different vocabulary. And then the twist at the end basically just gives the entire episode a WTF moment and you feel as though you wasted your time. Don’t worry, I’m not going to give away the twist on here, but I’ve given you context clues to figure out what is probably is. I can also say that at least the episode looked good as well and had the same gorgeous cinematography as the other ones.

I do appreciate an episode that actually made me fear Ike Barinholtz. Usually a funny man and one of the best performers on the old MadTV (haha, kind of get why he was cast now), he is absolutely ruthless in this. I’d like to see him play more psycho characters in the future. Rhea Seehorn has always been a good actress, like on Better Call Saul, and here she’s just as convincing as someone scared out of her fucking mind. The best acting goes to Taissa Farmiga though, who I thought was terrible in The Nun as I thought she was only good for wide eyed facial expressions and that is it. Here, she is completely convincing as the woman trying to escape the harsh environment of men just suddenly going mad. Great concept, terrible and horrible execution.

POINT OF ORIGIN

And with this episode, we get the nail on the head a billion more times with social commentary, this time on immigration. Okay Twilight Zone, go home, you’re drunk, we get it. You need to now take your social commentary episodes and scale them back a little bit. You need build everything up, maybe even mix several social commentaries in (but not so in your face) at the same time to have a meatier episode. Yes, immigration is a hot button issue, but you can only state the same issue so many times using different words, and in this case, dimensions (you’ll see what I mean).

I did catch that the mask that Ginnfer Goodwin wears in this is an exact copy of those of the ‘normal’ faced people in the classic episode “Eye of the Beholder.” That was a nice little homage to the old. And her and James Frain’s acting was really good. And yet again, the episodes visuals and everything technical looks good. It’s just the story isn’t there. Well it’s there, but it doesn’t go further to get where it needs to go. It just stays in one place and doesn’t take it to more interesting and thought provoking levels. The whole plot is that after a rich white woman’s Mexican housekeeper is detained by the U.S. Government for not being a legal citizen, that rich white woman is also taken, but for different reasons that I will not spoil.

But again, you can guess where it is all going based on the fact that I said the only commentary on this is immigration. Where is home, truly? Why can’t we escape a wretched place to live a better life and people just accept it and try and help? Aren’t we all technically immigrants? Why is the US being a fucking bully? All those questions are asked a billion different ways, but none of them are really answered. Just another one of those “be careful, because it can happen to you” episodes. Those episodes are long and gone, we are currently in 2019. You can’t just recycle old stories and do them the same, you gotta have a better hook, instead it is the same rusty one Hollywood has used to fish a billion times over. I won’t finish this sentence again but, you know, great concept…Replay

Ranking of Episodes

  1. Replay
  2. Six Degrees of Freedom
  3. A Visitor
  4. Nightmare at 30,000 Feet
  5. The Comedian
  6. Point of Origin
  7. Not All Men
  8. The Wunderkind

Zach’s Zany Movie Reviews: POKEMON – DETECTIVE PIKACHU

“It was WONdurFul!” – Kimberly Finke, 33 about to turn 34 year old enthusiastic kid at heart. She’s grew up with Pokemon though. I did too, but we will get to what I thought of it in a minute. The thing is this, if you know absolutely nothing about Pokemon, then POKEMON: DETECTIVE PIKACHU is going to fly over your head and you are probably not the least bit interested in watching this movie let alone reading my review for it. Not saying you will hate it, you might even find some parts entertaining (Ryan Reynold’s off the cuff jokes), but you just won’t get it. This movie has a specific target audience. Either you know and love Pokemon or you don’t. You will love the movie, or you will think it is okay and ultimately be baffled by it. Me? There are now three solid video game film adaptations of all time. Mortal Kombat, the new Tomb Raider with Alicia Vikander, and now this. But is that really saying much?

Like with the new Tomb Raider, I’m going to say what I said on that here: the video game movie curse isn’t broken quite yet, but its a helluva step in the right direction (and then will take one step back in the fall when Sonic comes out…). The film actually had a decent plot that wasn’t too contrived or one-note or hokey. I just wish it maybe had a few more twists and was a little more in depth was all. But I also realize you can’t do that with a kids film. So I’ll just brush off my complaint aside. If you were to look really, really closely, the film is basically a beat by beat remake of Ace Ventura: When Nature or a Japanese version of Disney’s Zootopia. Everything in this is very, very, very predictable, and when the movie thinks it is about to lose the interest of the young folk in the audience, it literally stands still for five minutes, telling you exactly what happened, so that they catch up to the adults in the audience that have already figured it out.

Let’s take a step back and I’ll tell you my experience with Pokemon. I was there at the start. I had the Gameboy with the Red and Blue versions, traded with friends using that pesky USB cord. Used my info to sync it up with Pokemon Stadium on the N64, watched the first season of the show, but then like Beanie Babies, after maybe about two years of massive hype, I fell out of it due to my age range, and look back on the experience like I do with POGS now: with a smile on my face and good memories in my head, but also asking the question, “what was I thinking?” I knew going into this that there are about 812 Pokemon now (correct me if I’m wrong) and not just 151. I figured though that with a target audience of fans now in their 30s that grew up with them and getting current fans all on the same page, that they would probably stick to the 151 we knew, with just splashes of the others in there as background noise and to teach the older generation on how everything has evolved into something bigger (I was correct). I also went into this really enjoying the trailers and tv spots so far, and loving the look of the Pokemon interacting with people in the real world (take note Sonic creators).

But did I love the movie and think it was WONdurFul? No. But, I thought it was cute, very well made, I was mildly entertained throughout the whole thing, even smiled when stuff came on screen that I recognized. Memberberries for sure. Would the movie have worked without Ryan Reynolds as the voice of Detective Pikachu? Probably not. Even though one would argue that this is basically just Pikapool and a PG rated version of Deadpool, Ryan Reynolds still knocks it out of the park with his voice acting in this. I have a feeling he ad-libbed a shit ton, and that it was so good that they incorporated it into the movie even though it wasn’t in the script. Great decision by the filmmakers. Color me shocked when they threw in a sexual innuendo or two and even a cocaine joke. Subtle enough that young kids won’t get it though thankfully. Ryan Reynolds could make anybody laugh just reading War and Peace or Gone With The Wind on audio book, that’s how great he is.

As for the plot, do I really need to explain it? In a world where there are still a lot Pokemon in the wild yet there are cities where Pokemon and humans live in harmony, a late teen/early 20’s male who used want to be a Pokemon trainer who is now a insurance agent, gets called back into the fray when his father, a police detective that worked with Pokemon, goes missing and is presumed dead. His father’s Pokemon partner, a Pikachu, shows up at his father’s old place, and the two team up to discover what happened. Like I said, it is fairly easy early on to know what is really going on. Too simple for an adult film, but like I said, this is a film made for those in their 30s that grew up on Pokemon, and their children who might be into Pokemon now. My only other qualm other than the predictable plot and the obvious eye rolling 3rd act typical bad guy reveal is that they revolve it around a certain Pokemon that they have relied on too many times for story and plot devices. Surely there is a different Pokemon that could have some elaborate origin story and mystery. I won’t say which Pokemon that is, but it is very obvious which one in the trailer. Pokemon people now need more of a variety if this film spawns a sequel.

I also wanted more Pokemon battles. I know they didn’t really serve the plot other than one or two of sequences, but the few Pokemon battles in this film were very entertaining and well done. The director, Rob Letterman, didn’t go and do Goosebumps 2 for this film, and he very obviously made the right decision. The acting is good for a kids film too, as supporting characters such as the boy, played by Justice Smith, and an investigative reporter he teams up with, played by Kathryn Newton, made their characters believable enough that I was convinced they were actually talking to cute little monsters walking and talking beside them. Their character arcs, everyone’s character arcs, are one note though.

Wow, I’ve talked about this film haven’t I? Let’s get to the end. If you are one of those people that skip to my last paragraph after reading the first and power reading through the rest, I liked it. It wasn’t great, but it was good and is a very, very solid family film that people taking their kids to the theater would enjoy. Or if you are a woman-child at heart like my friend whose quote I mentioned in the first paragraph. But if you have no interest in Pokemon whatsoever, never have, and are completely befuddled on the hype, this film is not for you. Heck, if you are a kid that doesn’t get Pokemon or see what the fuss is about, this film isn’t for you. However, if you know what that hype was and even dipped a toe in it, and if your kids did or do as well, I can’t think of a better film to go to the theater together and spend sometime eating up some decent member berries. I mean it could be worse, you could’ve shared your love of Game of Thrones and have watched this last season together…

Zach’s Zany TV Binge Reviews: THE TWILIGHT ZONE (2019) Part 3 of 5 – The Wunderkind and Six Degrees Of Freedom

In part 3 of 5 of my two episode at a time reviews (10 episodes this season), and unlike my glowing reviews of episodes 4 and 5, this time be going to opposite ends of the spectrum, with one episode being the worst one so far, and the new one one of its best, if not the best. Let’s get the bad news out of the way first:

THE WUNDERKIND

Great premise, sloppy execution. Wasted potential. How on Earth did this one not work? How did the script even get green lit before going through several drafts and major re writes. The ending should’ve been a knockout punch to the head, not several slow and dull shots to the stomach. Seriously, how do you ruin the premise of: what if a 11-year-old became President? Well, this episode manages to do that. I was so frustrated and bored by the episode that I had to go look who wrote it. And then I was not surprised with what I found: Andrew Guest, who wrote for 30 Rock, for which I hated.

The episode stars John Cho as a once hugely successful campaign manager that tries to come back into the spotlight by trying to get an 11-year-old (the great Jacom Tremblay) elected President after a video he makes fake campaigning goes viral. It sounds good right? It’s not. First of all, it focuses too much on the campaigning and not enough on what happens once Tremblay (it’s really not a spoiler to say he actually becomes President) gets elected. The campaigning stuff is bland and boring and wastes the talents of John Cho, who of course is good here. In fact, none of the acting is a problem as everyone gives it a good go in that department. Also, the way the episode was shot and directed was great too. It lines up with the atmosphere of the previous episodes and is gorgeous to look at, even though the events taking place are hard to pay attention to.

The is completely the screenwriters fault (and maybe the producers for not pushing the screenplay back to Mr. Guest and asking him to give it a rewrite or two). With politics being a hot button topic nowadays, this episode should’ve had much more to say about our current climate. In fact, this episode really doesn’t have anything to say other than, “this kid’s presidency reflects Trump’s, do….do you get it?” No matter what side of the political fence you are on, the episode doesn’t take it to the level it needs to send any other kind of better, more subtle message. The ending is predictable and really corny, uninspired, and stupid. I can think of a dozen other ways this story could’ve branched out, all better IMO of the one that we got. It feels like this episode was trying to kind of pay homage to the classic episode, “It’s A Good Life,” but it really is in no way in the same ballpark of the genius of that premise. It is really disappointing that over all the Twilight Zone episodes I’ve seen, past and present, this is one of the worst.

Rating: 1/5

Six Degrees of Freedom

Being able to watch more of the classic Twilight Zone episodes between these newer ones, I have finally discovered the trend: that each new episode is basically Force Awakening classic episodes. Meaning they are all soft reboots. Soft re-imaginings. Why I didn’t figure all this out by episode 2, I have no idea. The Comedian is a play on the episodes The Dummy and one from the 80s reboot Take My Life Please; Nightmare on 30,000 Feet is a play on Nightmare on 20,000 Feet; Replay is a play on Nick of Time; A Traveler is a play on the combination of the classics The Monster Are Due On Maple Street and Will The Real Martian Please Stand Up? So what episode does Six Degrees of Freedom try to re-imagine? Easy, that would be Five Characters in Search of An Exit. And a dash of the very first Twilight Zone episode, Where Is Everybody? The first episode I mention is about 5 random characters stuck in a metal cylinder, not knowing why they are there, trying to get out. They eventually have to work together to escape, only to come upon a very dark and depressing twist of fate. I will not reveal at all what Where Is Everybody? is about in lieu of spoilers.

This episode is quite a bit different but with the that moral compass of people helping each other out to reach a common goal. Five Astronauts are about to launch the first manned mission to Mars when they hear from their superiors over the radio that North Korea just launched nuclear missiles at the United States (the U.S. is retaliating of course) and that one of those nuclear missiles is set to get there in about 20 minutes. The captain (played by DeWanda Wise, who was one of the co-leads in the very underwhelming just released Netflix film Someone Great), makes the decision to override the control center and launch to Mars anyway, prolonging their deaths in a hope that their could be a solution when they get there. Tensions are weary and one of them starts asking questions. Whether they are right or wrong…can only be answered in….The Twilight Zone.

Sorry, wanted to do a dumb cheap narration of my own there. This is definitely one of the better episodes of the six aired so far, if not THE best, then right under Replay. I had a guess of where this whole thing was going to go, and my guess was addressed quite earlier than expected, which made me question it, and ultimately its twist ending. This episode also offers one of the few rays of hope than the other Twilight Zone episodes have. While I initially thought that Replay offered a few rays of hope the more I replay the very very end of that one in my mind, the more I realized that it might’ve supposed to been a downer as well. Anyhoo, this is definitely our most science-y science fiction tale of the bunch. The isolation of Alien mixed with the conspiratorial dread of The Thing and the short story it is based on, Who Goes There? The visuals are fantastic, the acting is fantastic, everything about it works. I’m not sure any of these episodes will be considered classic in the far far off future, but this and Replay have been the closest to tone of the original series thus far.

Rating: 4.5/5

Ranking of New Episodes

  1. Replay
  2. Six Degrees of Freedom
  3. A Visitor
  4. Nightmare at 30,000 Feet
  5. The Comedian
  6. The Wunderkind

Zach’s Zany TV BINGE Reviews: Santa Clarita Diet Season 3; Arrested Development All of Season 5; and Unbreakable Kimmy Schmidt All of Season 4

SANTA CLARITA DIET Season 3

How in the hell is each season of this better than the last? This show is better than it has any right to be. The first season is okay but showed potential. The second season took that potential, found its stride and kept pushing, with hilarious results. I am happy to report, in my opinion of course, and after having a couple of days to digest it all (I watched all ten episodes in one day), SANTA CLARITA DIET Season 3 is the best so far. They kept on their stride without losing any footing, and I laughed out loud more times than I can remember. My favorite moments have to be a text gone wrong, Timothy Olyphant’s character filming himself on a tryout for a cult, and every situation where “God dammit” is muttered to unique perfection.


While Timothy Olyphant and Drew Barrymore were okay in Season 1 (they are pretty bad in the first episode), I think that with Season 2 and beyond, they know what kind of humore and zaniness that this series is trying to pull off. Especially Olyphant. The first time we see his face in Season 3, I muttered to myself, “yep, this is going to be a fun ride.” That one facial expression, you know that he has finally figured out the weirdness of this show, and just embrace it. To the brilliant over use of profanity, to the situations that just keep piling up and piling up on them, and the solutions they have to try and figure out. Amazing.


But let’s not forget the daughter played by Liv Hewson and her (maybe/maybe not) love interest played by Skyler Gisondo. Liv Hewson has much more to do this season which makes her performance much juicier and she seems to have found her stride. But the MVP of this series is Gisondo, and he just proves yet again this season why he is the best thing about this weird zombie tale. I thought they might over use him after all the praise he got form season 1 and season 2, but they don’t. They use him just enough and perfectly yet again. Yes, this season has another cliffhanger, yet a really good one one that will push the story yet again next season, and I for one cannot wait until 2020 (assuming that it gets renewed, which it should).


ARRESTED DEVELOPMENT Season 5

Can we all agree that ARRESTED DEVELOPMENT really only has two great seasons and an okay third? Can we maybe pretend that Season 4 and 5 don’t exist and is one giant April Fool’s Day joke? Just like Season 4, Season 5 is God damn terrible. I didn’t laugh once and I kept rolling my eyes when you could completely tell that they couldn’t get a bunch of the actors on the same set so they shot them separately and edited them together to make you think they are all there (it is done so terrible it took me out of it every time they did it, which was a least 3 or more times per episode). If you can’t get them all together, why fucking even do it in the first place? And Portia Di Rossi is credited throughout all 16 episodes, but shows up only twice, and for less than 5 minutes each. The story continues from season 4, which was a bad decision all by itself. That story sucked, so the suck-age continues and doesn’t stop until the final minutes of the last episode.

I can only give Season 5 two minor praises. Everybody working on this thing seems to (finally) think that their time is up, and they basically wrapped everything up into a little bow, and gave us the ending we thought how it would end back in Season 1 (if you don’t know what that is, especially what Jason Bateman keeps repeating what he ultimately wants in Season 1, you aren’t a Arrested Development fan) and the MVP of this season is again Alia Shawkat, and her disguise as an older woman throughout most of the episodes. She brought mild amusement to the dreadful 16 episodes a just binge watched (but notice no laughs).

Yeah, stick a fork in them, they are done. I really really hope they don’t come back. Not even with better writers. They wrote an ending, the ending really is the only thing that worked, it’s over. What was once a fantastic Emmy Award winning series has been utterly destroyed by Netflix. Imagine watching Dexter Season 8 twice in a row. That is what Arrested Development Season 4 and 5 are.

UNBREAKABLE KIMMY SCHIMDT Season 4

To be honest, I’m glad this was the final season. UNBREAKABLE KIMMY SCHIMDT was a literal roller coaster of productivity and amusement. The first season is fantastic (and still it’s best). The second season was fucking awful. The third season almost got back to its first season roots if not quite reaching its heights. The first half of season 4 was fucking awful (the first 6 episodes were released last year). The second half, while a bit funnier and zanier than the first half, still was a utter disappointment. The wrap up felt forced and stupid, and we get an hour episode on a “what if Kimmy never got kidnapped type of scenario.” I HATE those kinds of episodes. Just like I hated when Friends did it. If it didn’t happen, then who fucking cares? We don’t need to see an ultimate reality in anything (I’ll give a minor pass to things like the Star Trek 2009 reboot) let alone comedies.

When the show (and first and third seasons) focused on Elle Kemper and her character of Kimmy Schmidt, it was excellent. That’s why the first season was so great. And those little bits of Titus Andromedon were perfect too. But then starting in season 2 and beyond, the side characters were way too point of focus. And they started using Titus too much to the point of annoyance. I hated Carol Kane and Jane Krakowski’s characters. And every season, we just got more bullshit with them and the show failed, in my opinion, in doing so. In fact, I think the secondary characters were used the most in this current season. I really felt like they reduced Kimmy to a side character, because I don’t remember seeing her all that much throughout the 12 new episodes (possibly because she was pregnant in real life? I don’t know). She was the best thing about that show, and it is sad they really under utilized her talent in Season 2 and now this Season. BTW, they wrap up her story line too fast, and too stupidly.

Anyway, yeah, this season, while not the worst, was a disappointing conclusion to a so-so series. This whole thing could have made one great one run limited series. Instead it stretched its concept thin, and got too fucking zany. So much weird shit happens this season it was hard to keep up with. We do get a couple of funny bits with some guest stars, such as Greg Kinnear, and Zachary Quinto stole the whole second half of the season with the two episodes he is in. But, yeah…I’m glad this show has ended (I heard their might be a Netflix movie but God I hope not), yet I probably won’t ever, ever revisit it.

Zach’s Zany TV BINGE Reviews: THE UMBRELLA ACADEMY Season 1; TURN UP CHARLIE Season 1; TRUE DETECTIVE Season 3

finished a couple of full seasons of some new shows, didn’t want to write full reviews so here are my thoughts:

THE UMBRELLA ACADEMY (Netflix):

Very solid, very well acted, very cool first season. Uses music well, but after Guardians of the Galaxy and Baby Driver, everyone else are just copy cats. Hopefully they know where they are going. If you can remember, Heroes had a great first season…and look what happened to it.

TURN UP CHARLIE (Netflix): I really like Idris Elba as an actor, but he deserves better than this. It falls into all kinds of cliche traps that we’ve seen in “grown adult man child that used to have fame but is now a nanny looking for a comeback” films. It avoids some, but not enough to make a difference. Thankfully, it’s only 8 episodes and they are all less than 30 minutes, so it was a quick watch and time passing by watch. Some humorous moments. I’ll see where they go if there is a season 2, but if it’s just another cliche-ridden mess I’ll stop there.

TRUE DETECTIVE SEASON 3 (HBO): Much better than season 2, although I was kind of disappointed in the ending. I was guessing a bunch of stuff out of left field that would’ve made for some juicy television, and the answer to everything was a lot simpler than I was hoping it was. I guess I got the “Lost” effect, where I shouldn’t have. Should’ve just enjoyed the ride more, maybe with a second viewing I will like it more. The first half of the season is very strong, but the second half of the season is just good, not great. Give Mahershala Ali and Stephen Dorff Emmy’s though. Like I said above, at least it was better than the awful, abysmal second season.

Zach (& Jennifer’s) Zany Movie (& other media) Memoribilia!

Hey Fellow Cubicle Escapee’s:

If you like our giveaway’s (which we will still be doing occasionally) for those that like and want movie memoribilia but don’t trust people that you don’t know and want better prices then look into Jen and I’s EBay pages as we will occasionally sell some cool movie and other media memorabilia and will get it to you wrapped up tight, fast, safe, and sound.

Jen’s EBay handle is┬ávolunteer_travel_girl27

My EBay handle is mrmovie1201AM

I, (Zach) Currently have two items for sale:

http://www.ebay.com/itm/132204633816?ssPageName=STRK:MESELX:IT&_trksid=p3984.m1555.l2649

&

http://www.ebay.com/itm/132204629283?ssPageName=STRK:MESELX:IT&_trksid=p3984.m1555.l2649

Thanks and keep going to the movies!

Zach A.