Tag: Animated

Zach’s Zany Movie Reviews: OVER THE MOON (Netflix)

This review is going to be a bit biased, seeing how I called into work an extra day last week and my 3 year old sat by me, snuggled, and paid attention to the entire one hour and thirty five minute run time of this movie. Totally worth it. OVER THE MOON, if you watch it, might seem a little bit generic to you, and it is unless you are familiar with Chang’e, the Chinese Goddess of the Moon and her history in their culture’s folklore. It’s another one of those “learning acceptance to change” adventures, where a young girl, who lost her mother four years earlier to what I presume was cancer, is about to be integrated into another half family. The father fell in love with another woman after his wife’s death, and this woman has her own son she is going to bring into this new family. The young girl, who’s name is Fei Fei, gets upset and doesn’t want to accept this change or get over her mother’s death, so she builds her own rocket ship and blasts off to the moon (I presume this entire movie was in Fei Fei’s head), hoping to meet this Chang’e and prove that she is real. Fei Fei also hopes that she can help Chang’e (DO YOU GET IT YET?!? CHANGE!!!) with her romantic tragedy described in her folklore and in return maybe the goddess can help Fei Fei deal with the tragedy of her mother’s death. Tit for tat, if you will. The movie is a computer-animated musical adventure family dramedy, and it is a solid, albeit, very familiar film. Maybe because it has a lot of similar beats of another film produced by the same company, Abominable (my son’s first film in a movie theater). It’s a little fishy that Over The Moon is the only second film produced by Pearl Studios, yet it borrows (and sometimes blatantly rips off) their first produced film. This film has been getting some Oscar buzz for Best Animated Movie and the reason for that is that this is the last film written by storyteller Audrey Wells (she died of cancer in 2018), who brilliantly adapted the novel The Hate U Give into one of my favorite films of 2018. The film was directed by Glen Keane, who at age 66, and former supervising animator at Disney with classics on his resume such as Pete’s Dragon, The Rescuers, Aladdin, and Beauty In The Beast, gets his first gig directing an entire feature. These reasons were probably why Netflix was over the moon to produce and distribute this film…pun intended.

But the movie is good I promise. There are several great musical numbers, more so than the mediocre Frozen 2, and the film’s animation is bright and mesmerizing…at least to young children as my son kept saying “wow” throughout his experience. Hamilton’s Phillipa Soo, who was also recently in The Broken Hearts Gallery which was a good movie but didn’t really showcase any of her vocal talents, is in this, and uses her talents gloriously. She voices Chang’e, and her opening introductory number was a memorable enough song that I’m still humming it out loud randomly almost a week later. The voice acting is great all around here, with Ken Jeong playing a pangolin (funny if you consider the multiple stories of the origin of COVID-19) who is not introduced until an hour into the film for some odd reason, but it was just enough not to have Jeong over do it and become annoying. I tagged Sandra Oh and John Cho in this article, but don’t watch this based on just those two names alone as they have less than 15 lines between the two of them. It’s really the Phillipa Soo, Cathy Ang (Fei Fei), and Robert Chiu (stepbrother Chin) show as they are present for most of the run time, and they all voice act their hearts out. Soo and Chiu have a fun, musical, rhythmic ping pong tournament competing for a McGuffin prize, there is a hilariously fun motorcycle gang of antagonist biker ‘chicks’, and the ending, while predictable as all get out, will probably make your eyes release several pent up tears of emotion. The whole problem I had with the movie was the familiarity and predictable nature of it, so if that kind of plot beat for beat shit doesn’t bother you, then you will enjoy this movie even more so than I did. Netflix, from what I can tell, at least has an eye for their original animated films even though most of their live action ones are crap. I am over the moon that the streak isn’t broken…again…pun intended.

Advertisement

Zach’s Zany TV Binge Watchin’ Reviews: JURASSIC WORLD – CAMP CRETACEOUS

How…in the Jurassic Park…can a young adult animated television show be better than the 3rd movie in the original trilogy and the abysmal Fallen Kingdom of the new trilogy? How? I mean, the first several episodes of JURASSIC WORLD: CAMP CRETACEOUS have kind of a “we’ve seen it all before” meh set up…yet still surprisingly serviceable…yet once it hits that halfway point, the story really takes off. And once you realize that this show is actually canon and takes place a little before, mostly during, and a little after the first Jurassic World, somehow…this show found a way…to become masterful. Especially episodes 4 – 8 and especially especially the last 3. THIS should’ve been the live action 2 to 2 and a half hour SIDEQUEL we should’ve gotten in 2018, and not the awful, just awful Fallen Kingdom sequel that became so dumb and stupid during the 2nd half, with that dinosaurs run amok in a mansion subplot, that I wanted a Velociraptor to gouge my eyes out with that foot toe claw of theirs. And this show isn’t really for kids, kids, people die and get eaten (mostly off screen though, they aren’t that bold with a YA show), and I even thought some parts had quite the ramp-ed up tension and were a little scary for some. We watched all 8 episodes in a day. I loved it, my wife loved it, and my little boy loved it, so I thought I’d do a little review for you all since it is something great that is streaming that can pass a little bit of time by. Especially when you aren’t watching your favorite sports team lose in what I wouldn’t count as a real championship even if they did win because of all the factors that are being attributed to this blurry and confusing year.

**WARNING: GIANT RANT OF ME SHITTING ON SPORTS** Yeah, that’s right. I hate sports right now and I’m going to stand on my shoe box for a moment or two to scream out my frustrations. You all need to get out of your fucking shells and go and see something in the theater. It doesn’t even need to be Tenet, just support your local theater so I…errr I mean we, can get our new blockbusters back and ready to roll with no more bullshit fear mongering delays. I, and many others, are burnt out of this fucking virus, and in my opinion, it isn’t fair that you little sports freaks are still getting new games to watch every week. The numbers of positive cases have to be skewed at this point. Whether it is democrats trying to fear monger until the election for votes against Trump or republicans for some other agenda, this virus went completely political since week 1 and I’m tired of fucking hearing about it. I’m tired of the pointing fingers. The ones that are still gung-ho about not leaving their bubble, I’m tired of hearing that you get to watch your fucking sports in the comfort of your own home. I don’t give a shit if you can’t physically go to the games, you are still getting new shit to watch and, when you win, good new shit to watch. So in the meantime I refuse to watch or be in the same room where sports are being viewed by your morons that feel “safe” and secure at home. Go out, wear a mask, physically distance, and see a movie. These theaters aren’t God damn petri dishes where you are guaranteed to get the virus. They have good ventilation with fantastic air filters and wonderful cleaning protocols. Fuck you sports and leave your home assholes. **END OF GIANT SPORTS SUCK MY ASSHOLE RANT**

**slaps my own face** Where were we? Ah yes, this wonderful little 8 episode Jurassic World tv show. Yeah, it’s pretty damn good. Per IMDB, the show is described as follows: “Six teens attending an adventure camp on the opposite side of Isla Nublar must band together to survive when dinosaurs wreak havoc on the island.” The animation is solid, the voice casting is superb, and it even has emotional and investing side plots that are more than just running away from dinosaurs and trying to survive. The main protagonist, Darius, has flashbacks to when he was wanting to visit the park when it eventually opened with his Dad, who was on his deathbed with cancer and one of the other teens may or not be working for a rival company to InGen. The first one made me shed a couple of tears and I found the second to be an interesting twist I didn’t see coming. I even tried to predict a conventional ending, seeing as this took place during and would end just a little bit after the first Jurassic World movie, but the show again surprises by being unconventional and warranting what I’m sure will be a green lit season 2, seeing as this has been in the top ten Netflix list ever since all episodes were available starting September 18th. I mentioned earlier how this should’ve been the live action SIDE-quel (meaning it takes place during the events of the first film but still was released after it) and not Fallen Kingdom. I stand by that statement.Look, I know that the filmmakers don’t want to get rid of the star power of Chris Pratt and Bryce Dallas Howard, but sometimes, creatively, you need to look elsewhere or otherwise you are just going end up with the same old shit, and if it isn’t the same old shit, it might be some weird new shit that people will find too…awkward (aka the whole second half of that movie).

But this should be something to tide us all over nicely until we get to the third movie that is expected to come out next summer (crossing fingers, fuck you COVID). The ending action scene is quite simple and compact, it takes place inside a closed dock tunnel. And it actually made me say “whoa” a couple of times to the places it went. Two episodes before that, the movie takes a breather for character development and has the teens talk on a monorail for a bit (followed by a harrowing, emotional, and riveting action sequence of course). I was quite surprised by this development…as I figure a lot young adults have ADD and sometimes for them, it just has to be “action now now now, and lots of it or I’ll get bored.” Clearly these show runners were wanting something more. Or it could just be the fact that I heard that Steven Spielberg himself was creatively in the development for this show more than he normally would’ve been and said it shouldn’t be dumb-ed down and too “kiddie.” Boy I wish he was more hands on with Fallen Kingdom and hope that he is for next year’s Dominion. Any little bit helps and makes a difference it seems. I think everybody involved with this show needs to get some sort big credit. It’s not every day that you make an animated television show that is canon to the live action movies and is better than some of them. This series had me roaring for more, and with several juicy cliffhangers, I think it’s safe to say that the series to be renewed should be a walk in the park for Netflix.