ON THE ROCKS is writer/director Sofia Coppola’s only second movie that I’ve liked and enjoyed, the rest of her filmography, I either haven’t seen, like The Virgin Suicides, or outright loathe, such as the remake of The Beguiled, Somewhere, Marie Antoinette, The Bling Ring, and A Very Murray Christmas. I think Lost In Translation is her true masterpiece that will never be beaten for me, although On The Rocks is still a very decent film with Bill Murray’s best performance since that 2003 gem. The reason why On The Rocks is the only other one of Sofia’s movies that I’ve enjoyed is probably because it is its most mainstream and relatable, her other films being too abstract, boring pieces of artsy fartsy garbage that were made just for the sake of being artsy fartsy and not having any true underlying meanings. IMDB describes this film with the following: “A young mother named Laura, reconnects with her larger-than-life playboy father, named Felix, on an adventure through New York.” That adventure is following her husband, played nice and straight laced for once by overrated comedian Marlon Wayans, because both her and her father think he is cheating on her. During this journey they talk about how Laura used to be fun and not so insecure, how Felix is too secure, why the relationship and marriage with Laura’s mother failed, and how there is still very much love within the family. The movie is very predictable, including the conclusion of whether said husband is cheating on Laura or not, but the chemistry and charm of Jones and Murray is what got me through a quick ninety six minute runtime. Especially the genius of Bill Murray.
Murray will definitely get a nomination, or at least get close to one, for best supporting actor here. He is still Bill Murray, with his improv, dry wit humor, but he does play an actual character here: a concerned and loving father that is too secure with himself leading to his own social issues with women. I wouldn’t be too surprised if most of this movie isn’t scripted, because Murray’s performance always makes it feels like it IS scripted. Trust me, I know that that sentence contradicts itself but that sentence makes more sense than you know if you know Murray’s filmography. He is just really good with words and knows what to say on the fly. Plus his facial expressions are first rate. He made the first Ghostbusters movie what it was. He is and he isn’t playing himself here, and if you give the film a chance you will know exactly what I mean. He’s THAT much in top form here. Even though this movie is ‘The Bill Murray Show’, Rahsida Jones also gives the best performance of her career. So does Marlon Wayans believe it or not, I wish that he would quite writing, directing, and starring in bullshit that makes him look like a attention craving and starving assholes, like A Haunted House or Netflix’s Sextuplets. He’s better than that, and this movie proves it. Combine these performances with some of the best Sofia Coppola dialogue since Lost In Translation and you got yourself a good movie here, although it won’t be nominated for much else Award Season wise beyond Murray and it won’t be on my top twenty films of 2020 list. But I’d watch it again soon, along with Lost In Translation, just to hold me over until next summer where Bill Murray finally returns to the franchise (canon wise, that cameo in the 2016 piece of garbage doesn’t count) that permanently stuck him to the map that Saturday Night Live put him on. Sofia Coppola’s career isn’t so rocky for me anymore, hope she keeps it up from here.