UNPREGNANT, just released today on HBO Max, is the exact opposite of Never Rarely Sometimes Always, a heavy, heavy drama that came out earlier this year that is eyeing Oscar gold come 2021. However, they will both are still gonna have their detractors. They are both about a woman getting an abortion. While NRSA is a sad road trip movie to the point of depression, Unpregnant is a comedy road trip movie that that will elicit a chuckle or two. Both are only one time watches for me, and both of them will be complained about, NRSA for being too damn depressing while Unpregnant will have complaints pertaining something to the kin that you can’t make a comedy when the subject matter is abortion. So either movie, neither are going to win over everyone. At least Unpregnant’s laughs are much more sweet than they are raunchy and it focuses on the relationship between the two girls that are making the trip. The reason why it was a one time watch for me is that everything that happens in it I’ve seen in comedy road trip movies before. Literally nothing new. And it doesn’t really have all that much to say about abortion either believe it or not, no matter how much the film thinks it does. It isn’t all pro choice or all pro life, it briskly rides the line between the two, which I don’t necessarily know if that was the right call. Especially some of the narrative decisions of the actions of a specific supporting character, which I’ll get to later. Unpregnant isn’t unwatchable, but it definitely leaves me uninterested to give it another go.
Per IMDB, it describes Unpregnant as: “A 17-year old Missouri teen named Veronica discovers she has gotten pregnant, a development that threatens to end her dreams of matriculating at an Ivy League college, and the career that will follow.” To expand upon that weird log line that doesn’t really say amuch about the movie, Veronica decides to get an abortion and drive almost 1000 to Albuquerque, New Mexico, where she doesn’t need the consent of her mother because she’s only 17 (the actress, Haley Lu Richardson, by the way, is 25-26, and this is about the last time she’s going to be able to pull off playing a high schooler). She manages to snag an estranged and almost forgotten close friend named Bailey to drive her there and keep her company, but little does she realize that their strained friendship will hit a few more bumps in the road along the way before it has the chance to be as strong as it once was. Will Veronica make it to New Mexico and back over a weekend before her mother finds out what she’s doing and if she does make it, will she even go through with the abortion? And will she and Bailey be able to mend the friendship that once was inseparable? Where the movie should’ve had more debatable dialogue and discussions pertaining to the first question, one would argue that the movie didn’t do that because it didn’t want to offend anyone. Really? That’s their excuse?
Also, did they really have to make the supposed father of the pregnancy an asshole douche bag just to write around having to make the movie morally ambiguous? I would’ve like to see the would be dad be a nice and caring young man that really wants to have the child, therefore making the viewer question the actions of the protagonist. But nope, they make him seem like a creep-o stalker that didn’t tell her that the condom broke when they were having sex a month ago. It was a cop out, screenplay wise. The girls also run into some religious pro life nut jobs about half way in, and even though that situation was handled a bit better than the protagonist’s boyfriend was, the story didn’t go where it needed to for any of the messages or morals of that altercation to have a deeper meaning. The main thing that makes the movie watchable and worth an hour and 48 minutes of your time is the chemistry between the two leads, Haley Lu Richardson and Barbie Ferreira, specifically the latter with her hilarious facial expressions and one liners. Their relationship journey completely makes the movie, even though every situation they run into, whether trying to hide out from the cops or meeting possible love interests along the way, came from the ‘Idiots Guide To Road Trip Comedy Screenwriting.’ I would’ve liked the movie to dig into the issue of abortion a bit more. I think if the writers, one of them being Jenni Hendriks, whose novel this movie is based on, sat down and really took their time to craft some smart jokes while trying to educate people about the moral implications of an abortion, this movie could’ve been something special. But it’s just another road trip comedy, an anti Never Rarely Sometimes Always, a forgettable sweet afternoon snack.