Zach’s Zany Movie List: TOP TEN FILMS OF 2017…and 40 others because I can.

Ah yes! Finally! After seeing Phantom Thread this weekend I can now finalize and publish my TOP TEN FILMS OF 2017….well, and 40 others that I thought worth mentioning. But the reason it is my top ten list  is because I provide commentary on just those ten about why they are on my ten best of the 2017 list. So if you just want to read about my top ten, scroll really fast through these other 40 and you’ll see that I wrote a paragraph each on the top ones and why they are so special to me, enjoy!

50. The Babysitter

49. The Belko Experiment

48. Kong: Skull Island

47. Girls Trip

46. Mayhem

45. Alien: Covenant

44. The Fate of the Furious

43. Justice League

42. The Foreigner

41. American Assassin

40. Happy Death Day

39. Kingsman: The Golden Circle

38. I, Tonya

37. Darkest Hour

36. The Florida Project

35. Phantom Thread

34. Logan Lucky

33. The Greatest Showman

32. Jumanji: Welcome To The Jungle

31. Detroit

30. The Shape of Water

29. The Disaster Artist

28. Only The brave

27. American Made

26. Wonder

25. Thor: Rognarok

24. Guardians of the Galaxy Vol. 2

23. Coco

22. Wind River

21. Mudbound

20. Lady Bird

19. Split

18. Better Watch Out

17. Get Out

16. The Big Sick

15. Good Time

14. War For The Planet of the Apes

13. Spider-Man: Homecoming

12. Baby Driver

11. Wonder Woman

AND FINALLY, MY TOP TEN WITH A TINY BIT OF COMMENTARY FOR EACH::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::


Probably the most original film of the year. Great script, great story, great ending, great dialogue, incredible acting, unpredictable. All the ingredients to make a more than memorable movie. Sam Rockwell and Frances McDormand deserve the Oscars they are probably going to get for this. And Martin McDonough should win for Original Screenplay. I kept switching this and Wonder Woman for the ten spot, constantly, but I ultimately chose this because Wonder Woman’s ending is a little bit of a let down considering all that came before.


Easily the best comic book film of the year. I know a lot of you thought Wonder Woman was better but no, Hugh Jackman made this film. His best performance as Wolverine and one of his best performances period. A modern day comic book western that was a visual and mental feast from minute one until it ended. A rated R Wolverine film that everyone deserved. In a sane world, Patrick Stewart would be nominated for playing Professor X in this. But we don’t live in a sane world.


I love Westerns, and even though we could argue that Logan is a true Western, Hostiles is the true western of the year, and the best western since Dances With Wolves. An incredible, unpredictable journey where Christian Bale I thought gave his best performance ever, or at least the best since American Psycho. It is a visual treat from beginning to end and I loved the way the film visited not the right or wrong, but the darkness of the grey of humanities choices. Masterful.


I knew I was going to like this new Spielberg film but I didn’t know I was going to really really really really love it. I think this is the first Spielberg film I have had on my top ten list since Munich. And it is his best film since Munich. He could’ve just made this a point and shoot affair, but with a smart and snappy script about the Pentagon papers, and with incredible actors like Hanks and Streep, you can tell that Spielberg wanted to be behind the camera, for he shows us all his signature moves and adds a few new ones in the process.

6. IT

Hi ya Georgie! While I can now admit that the film isn’t all that scary, it still is a fantastic film that I can watch over and over due to the almost perfect story adaptation from Stephen King’s book, and the best child group acting in decades. Plus, that first scene with Georgie and Pennywise in the sewer is near perfection. This make the TV special that aired in 1990 look like it was made by film students. I’ve seen this about 4 times now and enjoy it more very time.


Some of Aaron Sorkin’s best dialogue, and my favorite Jessica Chastain performance since The Help. The story switches back between past and present so seamlessly that it doesn’t treat the audience like they are idiots with stupid “this is whenever” title cards before each scene. For a film that is 2 hour and 20 minutes long, it felt like a crisp 90 minutes. And that is extremely hard to do with everyone being fidgety nowadays.


I honestly thought this was going to be a permanent number 2 on my list since February 2017, but the next three films blew me away even more than this one did. And this is one of the best action sequels every made and so much better than the first film. It does everything a sequel should do. It expands the story and the universe, it ups the action, and it is more fun. Keanu Reeves looks happy to be there and does all his own stunts. And it is honestly probably because he wants to be known for this series when he dies and not just Ted from Bill & Ted. With film #2, he’s already succeeded with that wish.


Another Christopher Nolan masterpiece. And it is probably because of Han Zimmer’s score. I never thought a PG-13 war film could work, but this one does. And yes, I saw it in 70 mm IMAX when it came out and watching it on video isn’t as breathtaking to be sure, but it is still a masterpiece, a masterful movie to watch over and over again. When the film starts, you grip your arm rests or whatever you have near you and don’t let go until the end credits. The most tense film of the year.


Yes, the first film back in the 80s I believe is highly overrated. Harrison Ford plays a detective that doesn’t really do any detective work, and doesn’t really do much in the story. But this film is better and bigger in almost every single way. It’s a visual masterpiece for the mind, body, and soul, and it happens to accompany a pretty interesting story where Ryan Gosling actually does a shit ton of detective work. When I was in the theater I had just a sense of extreme awe the entire time and I can’t wait to revisit the film again when it comes out on Blu-Ray tomorrow.


Look, I could defend this film until kingdom come. Oh, you didn’t like Luke’s story did you? Felt like it ruined his character and your childhood did it? Look, that was the only way the story and writer/director Rian Johnson could go after J.J. Abrams set everything up. If Luke hadn’t cut himself off from the force, he probably would’ve had a vision of Han being killed by Ben and would’ve went after him and saved him just like when he had that vision of Cloud City training with Yoda…ah ah ah, I’ll stop, if I don’t I’ll just keep going. This film is a masterpiece and the best Star Wars film since The Empire Strikes Back. Everything about it is almost pitch perfect, because it does what Luke says, “this isn’t going to go the way you think.” None of it does. Who saw Snoke being killed in part two of the new trilogy? That fight scene with Rey and Ben fighting off his guards is one of the best action sequences in the entire series. The beginning space battle with the bombers to the First Order dreadnought is perfect. The humor did bother me a little bit at first, and the Leia Mary Poppins thing, but I’ve seen the film several times now, and I enjoy it more each time, and those parts don’t even phase me anymore. The ending with Luke and Ben and the “See you around kid” floors me every single time. I love everything about this film, even the journey to Canto Bight. So I don’t mind defending this film until kingdom come. I feel like a young excited kid every time I watch it, and tears well up in my eyes when it ends. It is that great of a film to me, and in the end, the over obnoxious “not my Star Wars” fanboys can go fuck themselves.

Thanks for reading and PEACE OUT!!!!



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