Zach’s Zany Movie Reviews: THE PRINCESS SWITCH: SWITCHED AGAIN (Netflix)

Were they even trying with the sequel title or is it supposed to be an homage to Die Hard 2: Die Harder? Doesn’t matter. I’m just going to be blunt, THE PRINCESS SWITCH: SWITCHED AGAIN aka The Princess Switch 2 suuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuccccckkkssss. Awful. Abysmal. About a billion lazy story/script choices, the fake CGI snow is fucking distracting, Vanessa Hudgens new 3rd character is on the spectrum bad, and many other nitpicks that would make this review about 5 pages long. Not going to do that. This movie doesn’t deserve to be talked about that much. This is one of the most unnecessary sequels of all time and nobody involved in this movie is trying to hide that this was a blatant greedy cash grab. I never reviewed the first movie on this Word Press blog, and while it wasn’t the greatest little take on The Prince and the Pauper story that I’ve seen, it was cute enough and serviceable, mainly because of Vanessa Hudgens performance. When she plays wholesome characters, her acting shines…and that’s mainly because she isn’t so wholesome in real life…just look at her almost NSFW social media pages…especially Instagram. Also do you remember earlier this year when COVID-19 started spreading and killing people? Do you remember that she was caught on an Instagram story saying, “well like…people die, ya know?” and a bunch of other questionable comments about the state of the world at that time? I ‘member. But this critique is not going to go into how much of an attention whore, sleazy sexual person and kind of dummy that Ms. Hudgens (and her sister Stella) seem to be in real life, this critique is all about this abomination of a sequel that she got a producer credit on, because “Look at me! I funded money to a project! Look at me! LOOK AT MY GOD DAMN NAME IN THE CREDITS BECAUSE I WANT GOD DAMN CREDIT AND ATTENTION!!!”

IMDB describes the movie with the following: “When Duchess Margaret unexpectedly inherits the throne to Montenaro and hits a rough patch with Kevin, it’s up to her double Stacy to save the day before a new lookalike, party girl Fiona foils their plans.” To take that into context, let’s go ahead and see what IMDB described the first movie as, since I never reviewed it: “Competing in a Christmas baking competition in Belgravia, a Chicago baker bumps into the prince’s fiancée–who looks just like her. They switch lives for two days.” As you can tell, this stretches the Prince and the Pauper story line past the point of it being coherent anymore. I get sequel prospects but did we really need Hudgens getting more money to play a third character, one that I have a feeling acts like she does in real life? The only thing nice I have to say about it is that the shots of two or all three Hudgens in the same frame were decent. And the set decoration is nice. But really? They couldn’t get a fucking snow machine for the outside shots and instead every fucking flake of God forsaken snow is CGI, with barely any of it actually hitting said actors on screen and if a flake happens to “land” on one of the characters, it slowly CGI melts off? Come on, that’s just lazy bullshit film making. Hudgens is a producer now, make her cough up the extra cash for a physical snow maker. Other than Hudgens, who does actually seem to be trying and seems like she wants to be there, (I’ll even give her props for having a dialect coach on set every step of the way to help her with her accents, which are considerably better and less cringe worthy than the first film) every other actor/actress looks like they want to kill themselves for being in this sequel, or they don’t care and over act to just get the shit over with and grab a paycheck at the end.

And then we come to my biggest nit pick with the whole movie: the screenwriters didn’t have anything for the Prince, that ends up marrying Stacy at the end of the first movie, to do so they blatantly don’t tell his character about the new switch for three reasons:

If they told him the switch was going to happen, the rest of the dumb movie probably wouldn’t have happened. THERE WAS ABSOLUTELY NO LOGICAL REASON NOT TO TELL HIM!
They needed more scenes of the Prince’s character, and the little girl Olivia character (Kevin’s daughter) because the actor and actress were probably paid a good sum of money for the sequel and they didn’t want to waste the both of them. (Olivia knows about the switch but this little girl is tasked to make sure that this PRINCE OF AN ENTIRE FUCKING COUNTRY doesn’t find out. How does he just travel with her with no God damn body guards, does that even make a lick of fucking sense?)
To reiterate 1st reason: BECAUSE MOVIE NEEDED TO HAPPEN.

Speaking of Olivia, the young actress from the first movie was replaced even though the movie takes place two years after the events of the first movie and the first movie is only two years old. There couldn’t have been an aging concern then, so I’m guessing the original young actress knew what a stinker this one was going to be and hi-tailed it out of there. Smart move kid. The plot of this movie is unnecessary, boring, and stupid. The climax and outcome is unnecessary, boring, and stupid. And the 3rd character that Hudgens plays is unnecessary, boring, and stupid. I mean, need I say more? My recommendation is that if you’ve watched the first movie, do not even think about giving this piece of shit a try, instead, switch gears and maybe pick up a book and read The Prince and the Pauper. Your brain will thank you for it.

Zach’s Zany Movie Reviews: STRAIGHT UP

Fans of Gilmore Girls will love this new find that I just recently found on Netflix (& you can rent on demand if you don’t have Netflix) called STRAIGHT UP. Not only because the main girl protagonist’s name is Rory and she and the male protagonist both happen to mention they love the show Gilmore Girls but because this film shares one very big identifying trait that was present in that series: rapid fire witty dialogue. Which is probably why it mentioned the television show, so that we critics think that it is more of an homage and not a straight up rip off. And it does come off as an homage, mainly because the rest of the story goes well right along with it. It’s definitely a dialogue rom-com, so if you are looking for any…ZANY physical comedy situation to arise somewhere in this film, look elsewhere. This movie is shot like a Wes Anderson film, symmetrical stable shots with no dollies or any complicated shots, and the story is told mainly through the dialogue and the fantastic acting by both leads, Kate Findlay and James Sweeney, the latter who both wrote and directed this film. That’s also part of why this movie felt realistic, because he had his hand in literally all of the production. This is one of those streaming films that you can put on in the background and still follow the story even if you aren’t looking at the screen, but I would be remiss if I didn’t tell you that you’d miss some great facial expression reactions in doing so.

Per IMDB, Straight Up is described as follows: “Todd and Rory are intellectual soul mates. He might be gay. She might not care. A romantic-comedy drama with a twist; a love story without the thrill of copulation.” While the movie doesn’t have a clear cut ending, as it leaves a couple of tiny threads ambiguous, it doesn’t matter as the narrative ends exactly when it needs to. The dialogue in this grabs you from minute one and doesn’t let up until the end credits. Yes, I love action movies, but I also love when a movie breathes a little with a lot of talking as long as it doesn’t feel forced or unrealistic. The rapid fire exchanges between everyone feel realistic here, and a lot of one liners will make you laugh your ass off. The two more recognizable faces in this are Randall Park and Betsy Brandt as Todd’s parents, and their 5 to 10 minutes of screen time is some of the most chuckle worthy yet emotional in the film. I found Todd’s reasoning for not wanting to be with men, because of bodily fluids, especially poop, to be realistically hilarious yet kind of sad at the same time, and I found Kate’s reasoning for not really needing sex but an intellectual male partner on the same level and realistic as Todd’s OCD. I just really liked the story and the dialogue. I’ll be straight with you: this isn’t a masterpiece by far, but it is a solid, solid one time watch, specially if you are a dialogue fan like me.

Zach’s Zany Movie Review: THE KISSING BOOTH 1 & 2 (Netflix)

So I usually only write movie reviews on either the year they come out or a month or two after the new year has started. The latter reason is because they either weren’t available because of how limited they were released in the first place or that and they were also Oscar bait films (these movies probably only released last minute December in only New York and LA). Because of COVID-19 in 2020, new content hasn’t been released in theaters for months and I’ve been writing these reviews long after Jan or Feb because I need stuff to review because it’s all I have left to save my sanity and my blog. Now with my television reviews, which I started doing more of this year, I will only review that season that ended this year, but I’ll also combine it saying a little somethin’ somethin’ about the series as a whole. I have to do this in order to be able to explain my feelings about the current season well. This is my first movie review, where I’m needing to briefly talk about a Netflix film that released in 2018 so I can accurately review its sequel, which just came out this weekend. I never watched THE KISSING BOOTH back in 2018 because at that point in time I was relying mostly on theatrical reviews and didn’t have time to watch all this dumb yet harmless teen rom-com crap. Needless to say in years prior, I skipped a shit ton Netflix original films. But when I heard THE KISSING BOOTH 2 was releasing this weekend, and knew if I just watched the original real quick, I could watch and review the sequel, just to have new contend on my blog. How were they? Well, I already gave you a hint of what I thought when I used the words “dumb yet harmless” two sentences ago, but let me be a bit more clear: Just like To All The Boys I’ve Love Before and it’s sequel, both Booth movies are almost exactly carbon copies of each other, both sequels are unnecessary because the characters end up in the exact same place they were at at the end of the first movie, but both make up a lack for the dumbness by having everyone in its cast have great chemistry with each other. They also look like they are having a ton of fun making it, and the movie doesn’t treat its target audience as if they were idiots for liking the movie either.

Noticed I said ‘target audience’ just there. I AM NOT THESE MOVIES TARGET AUDIENCE! To me, they were harmless one time watches, maybe only watching the first one again sometime with my wife because its much shorter and a little more fun than its sequel. Any other guy watching this, especially single, would probably want to gouge their eyes out during either film and would be bored to tears. Per IMDB it describes the first Kissing Booth movie as: “A high school student is forced to confront her secret crush at a kissing booth.” IMDB describes the second Kissing Booth movie as: “High school senior Elle juggles a long-distance relationship with her dreamy boyfriend Noah, college applications, and a new friendship with a handsome classmate that could change everything.” Sound familiar? That’s because both Booth movies are basically both To All The Boys I Loved Before Movies, all four almost have the exact same plot and narrative structures. It is very, very bizarre. The real difference is that the To All The Boys movies take itself a bit more seriously than the Booth movies, where its just goofy fun teen angst stuff with just a little pinch of drama here and there. To get a little more into the Booth movies, Elle secret crush in the first oned is her boyfriend in the second movie, Noah, and Noah is the older brother of her best-est best friend in the world, Lee, who just happened to have been born the exact same day and time as Elle and they’ve been inseparable ever since, because their mothers were inseparable in high school. They have these list of rules of how best-est best friends should behave and act around each other and rule number #9 or something is you can’t date the spouses of your best friend. Needless to say it all gets complicated in the first film and everything happens and ends up exactly the way you could easily predict it would.

I’m just glad that the first movie didn’t end with Elle and Lee realizing they should now be more than friends with sexual feelings for each other…an ending plot point that has been done in too many rom-com’s we’ve already seen before. No, I can happily say that they don’t become more in either film, and they just remain truly best-est best friends, with no feelings of sexual love at any point whatsoever. He just doesn’t want her dating his older brother. Now the sequel, since Noah and her are together, you can guess how the first movie ends. So to stir up the pot this time and go somewhere different, albeit eerily very familiar when you think about the To All The Boys movies, it has Noah go off to college, and a new handsome boy comes to their school for senior year named Marco. Elle tries to get this Marco to do not only do their school kissing booth fundraiser that year, because he’s so hot and he could make them a ton of money, but also partners up with him in this Dance Dance Revolution competition for money so that she could possibly have enough money to pay for Harvard if she applies. IF she gets accepted, she could end up going to the same college as Noah next year after she graduates. You can basically see how all that predictably plays out can’t you? It’s all very, very predictable and ultimately very, very unnecessary. So now you might be asking me: “Zach, if you are saying all these negative things about it, why are you ultimately giving this film a pass for its target audience instead ripping it a new asshole?” The answer to your question is simple: the chemistry of all the actors together is fun and refreshing, and unlike other rom-coms, where it looks like people are suffering throughout filming just to get it done, everyone here looks like they are having fun and seem as though they want to be there.

And when the cast and crew look to be having fun, that fun was a tiny bit contagious for me. Joey King is just fun, innocent, and so damn delightful in these movies (her real life sister, Hunter King, who is not in this, is an absolute babe, my perverted self just had to mention that). Her chemistry with Joel Courtney, who plays her platonic best-est best friend, is refreshing to watch, knowing that it doesn’t become more than that. In the first movie at least, her chemistry with Noah, played by Jacob Elordi, is fantastic and felt real, and even though in the sequel he isn’t in it as much because he is off to college, when they do end up sharing the screen in scenes that are few and far between, their chemistry at least hasn’t missed a beat. And even though the kissing booth is questionable, ethics wise, in the first movie (it doesn’t really address homosexual people being left out), it at least made up for it in the sequel. In the end, I do end up preferring the first film, mainly because it is only an hour and 45 minutes long, where as the sequel tries to be this epic rom-com we didn’t need at 2 hrs and 12 minutes long. TOO. LONG. FOR. A. MOVIE. LIKE. THIS. This isn’t fucking Shakespeare In Love. Things that were supposed to happen in the third act happened in the second with still an hour left in the movie. Thankfully the films are frantically fast paced enough and not too complicated camera work or dialogue wise to get through it. Look, it’s this simple, you know who this movie is for. If it’s for you, it’s for you, don’t be ashamed about being interested in it, and don’t let my sometimes harsh critique get in the way of your enjoyment of it. I am ultimately recommending it to you, if you are its target audience. It’s harmless, teen angst fun. If it were teen angst for the sake of being teen angst added with too much bullshit drama, then that’s another story. Let’s just say, that if this movie itself were a real kissing booth, I’d buy YOU a ticket to go and kiss the man/girl of your dreams, and I would happily support you at a distance.